Book review: The First Witches: Women of Power in the Classical World

With a background in ancient history and literature, author Alexis Hannah Prescott explores how Greek and Roman gods and folklore transcend time and place. 

The western world so admired the classical arts, culture, and history that centuries later schoolboys applying to the newly founded Harvard College in the 1630s had to be well versed in Latin grammar. And once enrolled, they studied Latin, Greek, and Hebrew. 

Curiously, students were reading classical texts imbued with the power of witches and witchcraft, which is incompatible to the Bible’s warnings. The Bible mentions forbidden practices such as divination, consulting with mediums or familiar spirits, interpreting omens, casting spells, and necromancy, though without much detail. The problem with witchcraft is in trying to manipulate spiritual forces instead of asking God for help. And the punishment for contacting demonic spirits is not being able to inherit the kingdom of God. 

In case you’re not a classical scholar, Prescott provides synopses of major works—like Homer’s Odyssey, Virgil’s Aeneid, Ovid’s Metamorphoses, and Lucan’s Erichtho—to explain the archetypes of Greco-Roman witches. As they transform from the strong, attractive but vindictive Greek witch to the bitter, haggard Roman one, Prescott mentions how dramatic social and political changes affected witches (and women’s) roles in society and in literature. 

The author also makes the point that witch hunts in Britain and the 13 Colonies were not based on the King James Bible (1611). Being able to read and have access to the Bible was mostly limited to the upper classes and to clerics. King James himself was extraordinarily concerned about witchcraft—believing witches caused the tumultuous seas that delayed his bride Anne of Denmark’s arrival in England—so much so that he wrote Daemonologie (1597). 

At the Salem witch trials in 1692, judges and some of the jury attended Harvard. They studied Greco-Roman literature featuring attractive, alluring Greek witches with deadly streaks of hostility, and Roman hag witches who torture, maim, and sabotage men. Classical witchcraft, mixed with regional folktales and backed by the Bible, was real in the dark woods and villages of Massachusetts Bay. A cursing beggar woman, a healthy cow that suddenly drops dead, sleep paralysis while dreaming of your neighbor, or shapeshifters in the shadows—what else could it be except witchcraft?

Prescott covers the witch’s metamorphosis from classical antiquity to the modern day, using literary characters we may be more familiar with, like Snow White’s wicked stepmother, Dr. Frankenstein, and Shakespeare’s weird sisters in Macbeth. Since the 1960s, she notes, Wicca and other trends have changed the classical witch dynamic. 

Or maybe it’s the women taking back their power.

Thanks to Pen & Sword History for the ARC.

Rating: ⭐⭐⭐⭐

The First Witches: Women of Power in the Classical World

By Alexis Hannah Prescott

Pen & Sword History, 2025

Book review: The Resurrectionist

The Resurrectionist captures Edinburgh’s cobbled streets lined with gray buildings, the boisterous university students, the early morning fog, the bustle of tradespeople and travelers, the smell of beer. 

It’s 1828, and in defiance of his family’s wishes, James Willoughby embarks on a thrilling but ultimately dangerous adventure: to attend Edinburgh’s famed university to study medical science, whatever the cost. Soon, he is thrust into the darkly competitive world of body snatchers, to provide specimens to pay for the private anatomy school essential to his studies.

A. Rae Dunlap creates characters you care about, even though they’re involved in illicit and unethical acts—from James to the artistic dissectionist, the professional mourner, and the faithful lookout. As readers, we are rooting for them. That’s why The Resurrectionist is one of those gothic novels that’s hard to put down. It’s gory but good.

rating: ★★★★★

The Resurrectionist  
by A. Rae Dunlap
Kensington Publishing

Book review: Class: A Memoir of Motherhood, Hunger, and Higher Education

Big Sky Country is breathtakingly beautiful, with its bright summer days and cold winter nights. But living in Missoula, Montana—with its farmers markets, art scene, musical venues, and university—is challenging for a single mother without family support or a trustworthy vehicle to navigate the road to a better life. 

Stephanie Land believes her way out of poverty is through education, and she is determined to get that college degree and become a self-sustaining writer. With staggering student loans and food stamps in her pocket, she depends on flexible but low-paying housecleaning jobs and roommates for childcare. Land manages to bargain for extras, like gymnastics classes during school breaks for her daughter, while subsisting at times on peanut butter herself. She even tackles child support and visitation issues with her abusive-but-absent ex. Still, the joys of learning and the precious moments of motherhood are ever-present even though it’s a hard life, with a few ice cream cones and dates in between. 

Land’s experiences are not out of bounds for the rest of us. She grew up in a middle-class family, but a car accident and PTSD sidelined her. The value of education sustained her while hard work didn’t make ends meet. 

Class continues Stephanie Land’s personal story, which started in her bestselling debut, Maid (2019). This time, however, she focuses on education instead of work. If you missed the first book (like me), you’ll be greedy to read Maid afterward because Land is an exceptional writer with compelling, gritty, and accessible experiences.

rating: ★★★★★

Class: A Memoir of Motherhood, Hunger, and Higher Education
by Stephanie Land
Atria/One Signal Publishers

Book review: Teaching Witchcraft

When you visit Salem, Massachusetts, you discover the city has many modern witchcraft shops, especially in the tourist areas of Essex Street and the wharf. It’s odd because the 20 people executed in 1692 for the capital crime of witchcraft were not, in fact, witches.

In Teaching Witchcraft: A Guide for Students and Teachers of Wicca, Miles Batty says witchcraft is not Devil worship or Satanism. Yet that’s what they were convicted of in 1692, even the stoutest of Puritans. The convicted witches were accused of harming people and animals, signing the devil’s book, or even trying to overthrow the Puritan church.

In contrast, present-day witches follow a rule to harm none. They celebrate seasonal changes, nature, the moon and stars, the god and goddess, and/or pre-Christian deities. Despite the blend of pagan ideology, Batty explains, their practices were not passed down through the centuries. Modern witchcraft began in the late 19th century, was influenced in the 1920s by the (largely discredited) works of Margaret Murray, expanded through the teachings of Gerald Gardner, and captured the imagination of the 1960s. Today’s witch has nothing in common with the accused witches of 1692.

Batty provides an interesting overview of religious development from pre-history to monotheism, followed by intentional acts to wipe out Pagans, Druids, heretics, magicians, wise women, and witches. What the conquerors couldn’t destroy, they converted for their own use (altars, relics) or absorbed (festivals and celebrations).

A collection of folkways, a lifestyle & philosophy

The second half of Teaching Witchcraft is more like a manual, providing the basics for incorporating different elements into a personal practice, either as part of a group or as an individual. Although designed for classroom or personal study, the book works well for curious readers like me who want to understand Wiccan beliefs, the cornerstones of magick, the meaning of rituals. Interspersed with charts and drawings, the book is a guide to the Wheel of the Year, the sabbats and esbats, moon cycles, signs and symbols, stones and crystals, amulets and talismans, auras and chakras.

Teaching Witchcraft is set up as lessons, each one ending with a series of questions and recommended reading. It closes with final exams and teacher resources.

The book is a solid introduction to modern witchcraft, whether you’re on that path or wondering what all those witches do in Salem.

rating: ★★★★★

Teaching Witchcraft: A Guide for Students and Teachers of Wicca 
by Miles Batty
Llewellyn Worldwide Ltd.